KOMAR & MELAMID, Vitaly (b. 1943) & Alexander (b. 1945), Russian, emigrated to United States in 1979
Vitaly Komar and Alexander Melamid were born in Moscow. They attended and graduated from the Stroganov School of Art and Design in 1967.
Their first joint show, Retrospectivism, appears in the Blue Bird CafÈ (Moscow, 1967).
“Even if only one of us creates some of the projects and works, we usually sign them together. We are not just an artist, we are a movement” (from artist’s statement).
During the late 60’s and early 70’s, Komar & Melamid found the movement that they call Sots Art, a unique version of Soviet Pop and Conceptual Art, which combines the principles of Dadaism and Socialist Realism. During these years, they also work on Post-Art, pioneering multi-stylistical images prescient of post-modernism, which will become popular in the 80’s. They collaborate on various conceptual projects, ranging from painting and performance to installation, public sculpture, photography, music, and poetry. They also collaborate with other artists, for example, Douglas Davis, Fluxus member Charlotte Moorman, Andy Warhol, among others.
In 1973, they are expelled from the Youth section of the Soviet Artist Union. In 1974, they are arrested during a performance in a Moscow apartment show and later their works, along with the works of other nonconformist artists, are destroyed by Soviet authorities at the open-door “Bulldozer Show.” By 1978 they are living in New York. Their first show in the West is at the Feldman Gallery (New York, 1976), and their first individual museum show is at the Hartford Athenaeum (Harford, USA, 1978).
In the 80’s, they continue developing their Sots Art (Nostalgic Socialist Realism Series, May 1st Installation at the Palladium Disco) and Post-Art (Diary Series, Anarchistic Synthesis Series, Bayonne, N.J. Series). They are the first Russian artists to receive funding from the National Endowment for the Arts, and are also the first Russian artists to be invited to the Documenta 8 (Kassel, Germany, 1987).
They devote their projects in the 90’s to iconoclasm (Monumental Propaganda, American Dreams), democracy and elitism by statistics (People’s Choice), and ecology (Ecollaboration with Animals, Asian Elephant Project). Komar & Melamid’s most recent projects are devoted to art as a religion and to the synthesis of irony and spirituality (Van Gogh Art Ministry, Symbols of the Big Bang and Nostalgic Nonconformist Art, a project in progress).
Source: www.komarandmelamid.org/chronology.html
